The Call Bob Dylan Won’t Heed:
BDS, Bullies, and Blowing Wind

By Nima Shirazi

A recent letter by the Israeli peace and justice group “Boycott From Within” (BfW) calls upon Bob Dylan to heed the Palestinian call for BDS and therefore not perform in Israel. The letter follows reports of Dylan’s 2011 summer tour, during which he will perform at Ramat Gan Stadium on June 20th.

The BfW letter hits all the right notes and speaks truth. It asks Dylan “not to perform in Israel until it respects Palestinian human rights,” explaining that “a performance in Israel, today, is a vote of support for its policies of oppression.” The letter speaks of ethnic cleansing, land theft, martial law, air strikes, and massacres. It beseeches the folk legend, who has “been part of a civil rights movement,” to stand with the oppressed against the aggressor. BfW writes that “BDS is a powerful and united civil initiative in the face of a brutal military occupation and apartheid. It’s a nonviolent alternative to a waning armed struggle and it has reaped many successes and instilled much hope, in the past six years.”

A Ha’aretz article proudly notes that the Dylan concert will be held “where Leonard Cohen and Elton John recently performed,” and is being promoted by “Marcel Avraham, the promoter who organized the Leonard Cohen and Elton John concerts – as well as the upcoming Justin Bieber concert that will be held over Passover.”

So, will Bob Dylan – the man who wrote “Masters of War” and “The Times They Are A-Changin’” in 1963 – heed the call? Of course not. Although Dylan would appear to be the perfect political ally, his human and civil rights bona fides have faded over time – to the point of non-existence.

In 1971, Time Magazine reported that Dylan was “returning to his Jewishness” and “getting into this ethnic Jewish thing.” A friend of his told the magazine, “He’s reading all kinds of books on Judaism, books about the Jewish resistance like the Warsaw ghetto. He took a trip to Israel last year that no one was supposed to know about and even, it is rumored, gave a large donation to the Israeli government.” The article continues:

Dylan denied giving money to Israel or to the fanatical Jewish Defense League, but he confesses great admiration for that “Never again” action group and its reckless leader Rabbi Meir Kahane. “He’s a really sincere guy,” says Bob. “He’s really put it all together.”

Yes, you read that right. Bob Dylan said Meir Kahane, who favored the forced expulsion of Palestinians from their homeland and whose racist Kach party has since been banned from Israeli politics, is “a really sincere guy” who’s “really put it all together.”



Over the past couple decades, Dylan has become a supporter of the Chabad Lubavitch movement, which holds a firm Eretz Israel line regarding the ongoing occupation of the West Bank.

In 1983, twenty years after he sang, “you don’t count the dead” and “you never ask questions, when God’s on your side,” Dylan penned a song in response to the international outrage over the devastating Israeli assault on Lebanon in 1982, which took the lives of nearly 18,000 Lebanese civilians and wounded about 30,000 others. The song did not mention the Sabra and Shatila Massacre, in which between 800 and 2,000 Palestinian and Lebanese civilians were murdered. The Israeli Kahan Commission, published in February 1983, found that Israel bore “indirect responsibility” and Defense Minister Ariel Sharon “bears personal responsibility” for the massacre.

Rather, Dylan’s song, entitled “Neighborhood Bully” and featured on his Infidels album (which incidentally also contains the songs “Man of Peace” and “License to Kill“), is a bitter and indignant defense of Israel’s actions, an exercise in Zionist mythology, eternal victimization, and bogus “right to self-defensehasbara, that sounds like it was written collectively by Alan Dershowitz, Abe Foxman, Benjamin Netanyahu, Anthony Weiner, and Golda Meir.

Dylan sings of nameless (though obvious) “neighborhood bully,” labeled such by “his enemies” who “say he’s on their land” and have him “outnumbered about a million to one” with “no place to escape to, no place to run.” And that’s just the first verse.

The hasbara escalates as the song continues. Dylan sings of exile (“The neighborhood bully been driven out of every land”) and bigotry (“He’s always on trial for just being born”), of lonely survival and attempts at delegitization (“He’s criticized and condemned for being alive”), of the Osirak bombing, of deserts blooming. The only way to believe how thick the Zionist talking points are laid on is to listen to the whole song, or read the complete lyrics (here).

Unfortunately for the BDS community and the courageous activists of BfW, Bob Dylan will not be an ally in the fight for justice or international law. He made his choice decades ago. It is Dylan who can apparently no longer see “where the people are many and their hands are all empty, where the pellets of poison are flooding their waters, where the home in the valley meets the damp dirty prison, where the executioner’s face is always well hidden, where hunger is ugly, where souls are forgotten, where black is the color, where none is the number.”

And, although Dylan once claimed that he’d “tell it and think it and speak it and breathe it, and reflect it from the mountain so all souls can see it,” he has decided to stand with those who aggress and oppress, with those who starve and deprive, with those who surround and fly-over and bomb hospitals and deny, with those who steal land and resources, with those who reinvent and erase history, with those who criminalize memory and prioritize ethnicity and religion.

By ignoring the call to boycott and by performing in Israel this summer, Dylan is solidifying his reputation as one who – when it counted most – didn’t stand for morality and humanity. Dylan once asked, “how many years can some people exist, before they’re allowed to be free?” It seems that Dylan’s own answer to the Palestinians would be, “A while longer and don’t ask me to help.” He has become his own rhetorical character: the man who turns his head, pretending he just doesn’t see.

So, the questions remain. “How many ears must one man have, before he can hear people cry? How many deaths will it take ’til he knows that too many people have died?” The answers are no longer simply blowing in the wind, however. They are in discourse and education, flash mobs and rallies, sit-ins and walk-outs. The answers are international law and humanitarian justice. The answer is promoting basic morality and common decency. The answer is raising public awareness. The answer is opposing settler-colonialism, military aggression, collective punishment, air strikes and assassinations, drone attacks and white phosphorous, tear gas and torture, ethnic cleansing, diplomatic immunity, war crime impunity, ethnocentrism and supremacism, racism and discrimination, apartheid and occupation. The answer is BDS.

And, as Bob Dylan told us himself, the times they are a-changing’.

Sadly, this time around, however, it seems Dylan does need a weatherman to know which way the wind is blowing.



Neighborhood Bully

Well, the neighborhood bully, he’s just one man
His enemies say he’s on their land
They got him outnumbered about a million to one
He got no place to escape to, no place to run
He’s the neighborhood bully

The neighborhood bully just lives to survive
He’s criticized and condemned for being alive
He’s not supposed to fight back, he’s supposed to have thick skin
He’s supposed to lay down and die when his door is kicked in
He’s the neighborhood bully

The neighborhood bully been driven out of every land
He’s wandered the earth an exiled man
Seen his family scattered, his people hounded and torn
He’s always on trial for just being born
He’s the neighborhood bully

Well, he knocked out a lynch mob, he was criticized
Old women condemned him, said he should apologize.
Then he destroyed a bomb factory, nobody was glad
The bombs were meant for him. He was supposed to feel bad
He’s the neighborhood bully

Well, the chances are against it and the odds are slim
That he’ll live by the rules that the world makes for him
’Cause there’s a noose at his neck and a gun at his back
And a license to kill him is given out to every maniac
He’s the neighborhood bully

He got no allies to really speak of
What he gets he must pay for, he don’t get it out of love
He buys obsolete weapons and he won’t be denied
But no one sends flesh and blood to fight by his side
He’s the neighborhood bully

Well, he’s surrounded by pacifists who all want peace
They pray for it nightly that the bloodshed must cease
Now, they wouldn’t hurt a fly. To hurt one they would weep
They lay and they wait for this bully to fall asleep
He’s the neighborhood bully

Every empire that’s enslaved him is gone
Egypt and Rome, even the great Babylon
He’s made a garden of paradise in the desert sand
In bed with nobody, under no one’s command
He’s the neighborhood bully

Now his holiest books have been trampled upon
No contract he signed was worth what it was written on
He took the crumbs of the world and he turned it into wealth
Took sickness and disease and he turned it into health
He’s the neighborhood bully

What’s anybody indebted to him for?
Nothin’, they say. He just likes to cause war
Pride and prejudice and superstition indeed
They wait for this bully like a dog waits to feed
He’s the neighborhood bully

What has he done to wear so many scars?
Does he change the course of rivers? Does he pollute the moon and stars?
Neighborhood bully, standing on the hill
Running out the clock, time standing still
Neighborhood bully

Written FOR

Ironically, the above lyrics were written in 1983 during the slaughter at Sabra and Shatilla refugee camp, this is how the zionists twisted the meaning of the song to suit their evil interests….. and now Dylan himself endorses those very interests.


  1. Bruce Hayden said,

    April 14, 2011 at 16:07

    Bob who?? His music just hit the garbage can as did Jethro Tull’s awhile back.
    Persona non grata as far as I am concerned. Hypocritical human garbage.

  2. paddy said,

    April 14, 2011 at 17:00

    Bob might as well play an Israeli venue before they all disappear.
    Dr. Alan Sabrosky, former director of studies at US Army War College has stated that when Americans learn that Israel did 9-11, Israel “will flat ass disappear”.

  3. robertsgt40 said,

    April 14, 2011 at 17:18

    “Bob”, like so many is on the wrong side of history.

  4. maccy said,

    April 14, 2011 at 17:46

    privileged in talent, such a shame his blinkered historical research shall be absorbed by those loyal to his gifted shadowplay of words and music combined, how well those in high positions understand the hidden powers of music and imagery on peoples emotions and decision making skills, who better than “bob” the musical human rights activist himself, survivor of the sixties movements, guised under that old cloak of peace, shrewd move.. except human politics and God never mixed..the curtain was rent long ago.. you should know this mr dylan…

  5. J Rouch, san jose, ca said,

    April 14, 2011 at 17:54

    Bob Zimmerman should have retired 30 years ago. Maybe he needs the money.

  6. Luath said,

    April 14, 2011 at 19:37

    He may indeed be on the wrong side of history, as well as needing the money, but it is no surprise that Dylan works/has worked for the enemy for quite some time. There is an interview in which the editor of a magazine asks Bob Dylan how he lasted so long……and Dylan, without exactly forthcoming or admitting anything, strongly implies that his career longevity is due to a “contract” made with humanity’s common enemy, in which he has given his soul over to the dark side.

  7. Kuno said,

    April 14, 2011 at 20:42

    Luath is on the right path. If you look back on Dylan’s career, leading up those songs, everything starts to make sense. Remember, he had 3 Christian-themed albums leading up, which were all slammed by critics (many of those songs were pretty good, btw). Lo and behold, Infidels comes up with a picture of him in Israel, and his Christian “phase” was but a memory. If you analyze those lyrics, it’s pretty obvious somebody sat him down to have a discussion about the future of his career before Infidels hit the shops.

  8. Juan said,

    April 14, 2011 at 20:43

    Can you say SELLOUT???

  9. April 14, 2011 at 22:28

    Bob Dylan’s Censorship of James Damiano’s Songs by Bob Dylan

    The Stealing of James Damiano’s Songs by Bob Dylan

  10. April 14, 2011 at 23:30
    It has come to my attention, after following Dylan for many years, forty six to be exact. We now have in our midst, the likes of a traitor, to all that we have believed him to stand for. He stands for nothing but, being a hypocrite, in reference to everyone one of his songs he has written, let me rephrase, everyone one of his songs, he has stolen, for his own greedy purpose. I first realized this when I started researching Dylan and songs he plagiarized. There are many. Dylan has paid over fifteen million to keep this little tid bit of information, out of the main stream news. I view him now, as not witting any activist songs today. He has been writing and plagiarism what sells. I think Dylan has had that calculated, from the beginning. We’ve been had. As far as Israel goes, we now see Dylan’s true colors in the matter…

  11. April 14, 2011 at 23:53

    “The Stealing of James Damiano’s Songs by Bob Dylan”

  12. RC said,

    April 15, 2011 at 04:24

    The Stealing of James Damiano’s Songs by Bob Dylan

  13. April 15, 2011 at 10:09

    Dylan’s as a human and civil rights actavist, is to the point of non-existence. However while mainstream journalists continue to write sycophantic pieces on Dylan, he’ll continue to laugh all the way to the bank

  14. Geltmesiter said,

    April 16, 2011 at 05:51

    How many years can some people exist
    Before they’re allowed to be free
    How many times can a man turn his head
    And pretend that he just doesn’t see

    Indeed Mr Zimmerman. how many is it now?

  15. joe said,

    April 16, 2011 at 15:41

    i think dylan/zimmerman is a slick plagiarist. takes lines from obscure works or old black artists(typical “songwriter” trick) and reworks.

  16. iampflp said,

    April 17, 2011 at 08:42

    “He took the crumbs of the world and he turned it into wealth…” …then why does he keep stealing my lunch money to pay for his military? Answer that one, Bob SHILLan.

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